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Thursday, October 15, 2026
Brescia Travel

Game Review: Sleaford Mods' Jason Williamson Takes On Role in Sceptical Examination at 90s Rave Culture

Helmed by Bristol sound co-founder the musician-producer, this scabrous if undernourished first film casts a critical gaze on the ecstasy-fueled club scene. Self-serving pillhead David (Marc Bessant) initially steals from an unconscious dealer, then in another flashback tries to burgle his own family home. Before you can say, he's upside down in the wreckage of his car in a woodland – and subject to the wrathful eye of the Woodsman (vocalist Jason Williamson). Refusing to extricate David, with impatience toward city dwellers, he is a fractured society personified: “You’re one of those loud individuals from up on the heath.”

Unsteady Opening and Darkly Funny Confrontation

The film begins uncertainly, lingering excessively on pedantically chronicling David’s attempt to extricate himself from his safety harness, while awkwardly transitioning into flashbacks of his everyday life. The central theme – that the ecstasy generation were mainly focused on themselves – is clearly conveyed. But these vignettes are too thin to adequately prepare us for what to expect when the Poacher arrives, fuming after David kills his dog. Still, a grimly amusing standoff takes hold – David desperate to escape; the Woodsman withholding his jerrycan of cider, intent on dousing him instead in embittered discourse. Williamson, exuding heavy threat in the role, is evocative of Michael Smiley.

Stylish Imagery and Music Video Vibe

There is only one important plot development, but it results in a hilariously staged chaotic run on the woodland paths that veers toward folk horror. Filmmaker John Minton finally gets to go all in with his ostentatious visuals: where he was hunkered down doing artful shots of insects in the light in the opening part, he now lets rip with the full lysergic 21-gun salute, soundtracked to a wild organ version of Ravel’s Boléro. Game feels more like an extended promo than a complete narrative, but there’s enough bold visuals to suggest that Minton could follow Jonathan Glazer, Garth Jennings et al into making the leap from the Brit music promo scene.

Game releases in UK and Irish cinemas from November 17.

Written by

Paul Smith

A passionate web developer and content creator with over a decade of experience in building user-friendly websites.

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